Do you like the nifty userpic? This is a tiny, tiny selection from my Fiction bookcase, which I built myself. It goes from floor to ceiling (2.2m high) and takes up nearly half the wall (1.2m wide). I've started having to stack the fiction 2 rows deep because I have many many books. I haven't built the non fiction bookcase yet, which is twice as wide and takes up most of the wall. Or it will do when I actually finish the damn thing. The non fiction collection is expanding at a geometric rate, and has taken over two rows in the Fiction bookcase, and is moving on to a third. I gotta get that bookcase built soon...
But this userpic is going to be my official Book Talk icon. Because of the
50bookchallenge there will be book reviews appearing from now on. In my reviews of fiction, I'll be applying my personal categorisation method for books, so I'd best explain this to you.
Great BooksThese are the ones that leave you gasping when you have finished. Characters you care almost painfully about, a plot that makes the book unable to be put down, a setting so realistic you could live there and a use of language so skilled you almost forget you are reading. And something beyond this... a theme, a level of emotion, an underlying meaning that impacts your psyche like a meteor colliding with Earth. Great Books can literally change lives. Invariably, these are the ones described as "classics." There are very, very few books that I would class as Great.
Good BooksHugely enjoyable, but not quite of the standard of a Great Book. Maybe the plot isn't quite perfect, maybe the language is a bit simplistic; mostly it doesn't have the emotional impact. It doesn't mean it's not worth reading. Most books I read fall into this category, because life's too short to read crap.
Fair to middling, but there's something not quite rightThe length of this category title gives a clue to what usually puts a book in this category. While books in this category can be enjoyable, I often get the feeling that an author hasn't had a clear idea of what he wants to do with the story or the characters when I read books that fall into this category. The plot waffles and goes off on tangents or has to fall back on deus ex machina* to move along, or the characters react to events in ways that are, well, out of character. Usually the setting is not particularly well defined, and the actual writing style can be overly simplistic. I'm left with the feeling that the author really needed to do more work to make a better story.
Also, sometimes a book winds up in this category because I just have a personally bad reaction to it, but I acknowledge that it is a decent book.
Bad BooksRidiculous plots, unbelievable characters, a setting constructed from cardboard, extremely poor use of language. You tend to find very few published books in this category, because the features of a Bad Book tend to garner rejection slips. But sadly, Bad Books turn up an awful lot in writer's groups.
Really Sodding Awful, Should Never Have Been PublishedAll the features of a Bad Book, but so truly appalling you really wonder how the Hell this made it to print. Because for some reason, a surprising number of books get published that I feel belong in this category. Many are classed as Literature, but we won't go there. Oh, sod it. Yes we will.
Here is my opinion of Literature.Now, this is all highly subjective. My idea of a Great Book might be someone else's Fair to Middling book, while a book that I only class as Fair might be someone else's Good. The biggest disagreement I have found is which books belong in the Great category and which belong in the Really Sodding Awful category.
There is also room for variation within a category, and between categories - some Good Books aren't as enjoyable as other Good Books, and I consider some Good Books more entertaining than certain Great Books.
* Deus ex machina - lit. "the God out of the machine." In ancient Athenian/Greek theatre, there was a crane above the stage that could lower characters, usually Gods, to the stage, or could be used to make characters appear to fly. It's become synonymous with a device that's obviously been inserted to move the plot along, or provide an explanation. You know the sort of thing - characters "just happen" to meet someone who can explain how to use the mysterious device, or who "just happen" to have some vital equipment, or some use skill they've never demonstrated before to great effect. You see deus ex machina a lot in bad fantasy. The playwright Euripides was notorious for having gods descend to the stage in his plays to provide crucial explanations, or spirit characters from danger. Just about every play of his that survives has a deus ex machina at the climax.
And they aren't limited to Fair to Middling books. Sometimes they pop up in Good Books, and even, the Gods forbid, Great Books.